Snaps from the Open Studio

The last post here gave an introduction to The Open Studio at the University of Derby. It mentioned the importance of Photography as an artform within the School, something that has its origins in the 1950's and reached the pinnacle of its recognition in the 1970's under the guidance of Bill Gaskins and then Nigel Trow. Between them they brought into the teaching staff luminaries such as John Blakemore, Paul Hill, Richard Sadler, and Olivier Richon as well as a host of other major figures in the emerging Fine Art photography community. The course was almost unique in that for a number of years it was shared with the then Trent Polytechnic. The 'glory days' were somewhat behind us when we set up the Studio though I'd like to think we endeavoured to show that the medium was still celebrated even though it was now part of a broad based range of degree courses in Art & Design. But for a brief time we managed to assemble a quite stellar crew - John Blakemore, Sarah Jones, John Goto & Mark Durden amongst several other fine photographers. Alongside the 'big hitters' with long track records we had many other fine practitioners working in a variety of capacities and the work of Matt Jones, who ran our Mac Lab, is shown above.

Visitors featured in several of the exhibitions and one of them, Richard Mosse is now himself very much one of the big names in global Fine Art Photography. His Broken Spectre has received much praise in the past few years. At Derby he mounted an early solo show Nothing To Declare.

Part of the community were the PhD students, many of whom have had subsequent (or in some cases prior) success in their chosen field. One such was Antonia Bardis from Athens via the US and Goldsmiths College whose Manmade Environments ran from 19 Nov. 2008 to 30 Jan 2009 in The Corridor Space on the Markeaton Street campus - the main thoroughfare to the Library.

Although photography as a fine art practice had always been the primary focus at Derby we did try to expand the portfolio and David Bryson (work above) was one of the staff involved in this. We ran an interesting programme for some time that was devoted to still and moving image in the more scientific area, though sadly we couldn't attract enough students to maintain it. Nonetheless David was an important contributor to the wider ethos that resulted in a Commercial Photograpy degree running alongside the more art-inflected offering.

Post graduate students are an important component of any thriving academic research community, it is often the Masters students who are first to break 'new ground'. The image above is one such from Stephen Monger. Stephen was on his Masters course when he participated in a fortnight long residency in Cornwall selected from an open call for participants and organised by my colleague John France. His practice involved the painsstaking creation of a scene that he then photographed.